I forget the exact time when my family stopped giving multiple gifts to each other, but my mother has continued to show off her gift-giving skills even when she only has one chance to choose the perfect thing. Since I am an artist, the gifts she gives me are often made by other artists: a set of three Shaker boxes to hold my jewelry, a book of woodcuts, signed by the artist, a ceramic bowl she found on a trip to Door County. Each one has meaning and a story, each one is precious.
Six or seven years ago for my birthday she gave me a membership to the National Museum of Women in the Arts. At the time I was working as a product designer and traveling a lot so I wasn’t able to make much art. I loved reading the articles and looking at the artwork in the museum’s quarterly publication. I would dream of a future time when I could have a studio and make my own work and be a “real” artist like the women in the magazine. Once again my mother had given me the perfect gift.
Fast forward a few years to a couple of months ago and imagine my surprise when Denise Garner, a woman I had just recently been introduced to, approached me and asked if I was familiar with the National Museum of Women in the Arts? “Oh yes,” I said, “I am a member!”
Last week the Arkansas State Committee of the National Museum of Women in the Arts held their annual conference in Bentonville. On Sunday evening we were led on a delightful evening walk through Compton Gardens to the observation deck of the Crystal Bridges Museum building site by Sandy Edwards, Crystal Bridges’ Associate Director. Then we experienced the mind-blowing skyspace sculpture, The Way of Color, by James Turell. That was followed by a dinner of delicious food, wine and delightful conversations about art. It was, in other words, a wonderful night.
Sharon Guthrie and I helped coordinate an artist’s reception for the conference attendees, so the next day while the Committee held their annual meeting, eleven artists set up their work in a reception room. It was an exciting group of talented women and I was honored to be included. After their meeting, the committee members took the time to speak to each artist, inquire about their work and were generally excited to see such amazing art set up just for them. The artist’s were especially pleased to have the chance to talk to Ilene Gutman, development director for the National Museum of Women in the Arts who was visiting from Washington D.C.
As the reception came to a close I realized how blessed I was to be in that room filled with art, meeting great people and making new friends. I couldn’t wait to tell my mother about my experience…and just when I thought it couldn’t get any better I heard a voice say, “I really like your work, is it for sale?” “Oh yes,” I said, “it is!”